Mr. Ferrante had been collecting old maps for forty years. His apartment was full of them — rolled in tubes, framed on walls, spread under glass on the dining table he no longer used for dining.
He was, in the eyes of his neighbors, an eccentric. He did not disagree.
His niece Sofia visited on Sundays. She was twelve, easily bored by most adult hobbies, but there was something about the maps she couldn't ignore. They were beautiful, first of all. But more than that, they were wrong in interesting ways.
"This one says there's a sea monster here," she said one afternoon, pointing to an expanse of blank ocean on a sixteenth-century chart.
"Sea monster, or unknown," Mr. Ferrante said. "The cartographers drew what they didn't know."
Sofia thought about that. "So the map is a record of what people didn't know yet."
"Yes. And of what they were afraid of. And what they imagined." He paused. "All maps are. Even modern ones."
Sofia looked at the map differently after that. The blank spaces weren't failures. They were honest — someone's admission that the world extended beyond their knowledge and that the edge of what they knew wasn't the edge of what was real.
Later she asked him why he collected them.
"Because," he said simply, "they remind me how much there is still to find out."
Sofia decided she would start a collection of her own. Not maps, necessarily. But something.